Why DxO Optics Pro 10 stays in my toolbox3/19/2015 06:26:00 PM
You can read this post here, or read my reposted version over over at Medium . I've used over a dozen apps in the last decade to con...
You can read this post here, or read my reposted version over over at Medium.
I've used over a dozen apps in the last decade to convert my raw files and process my digital images. Today I rely on four main tools to process my images: Lightroom 5.7, the Nik suite of apps (now owned and published by Google), onOne Software's Perfect Photo Suite 9 — and DxO Optics Pro 10. I want to talk about Perfect Photo Suite some other time; it's my replacement for Photoshop and I really like it. But today, I want to say nice things about Optics Pro 10.
Might seem an odd thing to admit, but I don't really want to use Optics Pro. It can't hold a candle to Lightroom for browsing and managing images. And it doesn't support layers (like Perfect Photo Suite) or much in the way of selective editing (like Lightroom, Nik and Perfect Photo Suite do). I'm able to get what I want from most of my images using Lightroom, or Nik or Perfect Photo. So most of the time, I don't need Optics Pro.
But for certain kinds of problems, nothing else does as good a job as Optics Pro. It's major strengths are:
- lens corrections based on extensive research into various camera-lens combinations;
- noise reduction with almost no loss of detail;
- correction of perspectival distortion, especially when paired with DxO ViewPoint 2.5; and
- pulling detail from images.
Little River Canyon National Preserve
NOTE: You can see all the images below in a gallery here. I recommend viewing them in a full-screen slideshow. I'm afraid that some of the subtle distinctions I'm trying to make here won't be visible if you're viewing on a small or poorly-calibrated screen.
|First attempt in Lightroom 5.7. Decrease contrast, increase clarity, play a little with the tone curve, et voilà! A so-so rendition.|
The scene was lovely, and mist always adds something to an image ("mistery"). Anyway, I thought there was something here worth working on. What I really wanted to do was make those ghostly trees on the other side of the canyon a bit more visible — to rescue them from the mist. This first draft didn't do that very well. So I threw myself at it again, still in Lightroom. This time I tweaked practically every setting Lightroom gives me access to, and the result is somewhat better.
But I wasn't happy. So I turned to the Nik apps, which have done wonderful things for me in the past.
I was actually pretty happy with this, and I still like it. The trees are better defined in the mist, and the black and white treatment emphasizes the white slash of the waterfall, while preserving lots of detail. But the more I looked at it, especially on the big display, the more I worried that the treatment was a tad extreme. My daughter's comment was, "It looks 'shopped," meaning, the processing is too obvious. (Give yourself 10 points if you noticed that the crop is a bit different on this one image.)
Next, I tried Perfect Photo Suite 9. I like it a lot and it has done some really nice things for shots of the monuments and buildings in Washington, but it struggled with this image. The skyline here is too defined and the overall effect is artificial and generally unsatisfactory. (The black and white preset here, by the way, is called "Ansel in the Valley.")
Optics Pro 10 to the rescueAnd that is about when I remembered the big new feature in Optics Pro 10: the "ClearView" tool. I sent the image from Lightroom over to Optics Pro. Just enabling the ClearView feature produced an image that was immediately better than anything I'd gotten so far.
|Processed in DxO Optics Pro 10, mainly by enabling the ClearView tool.|
Otherwise, I thought that was the best result so far. But I wanted to try a black and white treatment, as well. A minute or two later, after a few tweaks to exposure and microcontrast and the imposition of a black and white preset, I decided I'd just about gotten what I was looking for in the first place.
|Again, processed in DxO Optics Pro 10 with help of ClearView tool — plus a little exposure and microcontrast adjustment and the addition of a black and white preset.|
Lens corrections, no extra charge
|Lightroom: no lens correction.|
|Optics Pro: with lens correction.|
Quick is better than slowWhenever I switch from Lightroom to Optics Pro, I have the feeling that Optics Pro is really slow. I certainly wouldn't want to use Optics Pro to review and edit all the images from a wedding. But the slow processing of each edit reflects the fact that Optics Pro is actually doing a lot more than Lightroom with every single pixel — every piece of data supplied by the raw negative. I think I'm pretty good with Lightroom — I've been using it since the beta of version 1 — but it took me many minutes of experimentation to get that second draft above and as I said above, I touched just about every slider and option available (add even added a graduated filter). But — to pick another image from Little River Canyon National Preserve — it took me exactly 1 second in Optics Pro 10 to go from this —
Those are screenshots straight from Optics Pro 10, and the only thing I did in the second image was enable the ClearView feature. You don't need it on every image, not even on most images. But sometimes, it's just what the doctor ordered.
Addendum on the matter of skinning cats. As the saying goes, there's more than one way. (My cat Mao is looking at me funny as I write this.)